I use traditional and historical metalsmithing techniques such as Opus Interrasile, an ancient openwork method that plays with negative space, alongside shell forming and fabrication. Through these processes, I translate natural forms into dimensional jewelry and sculpture that feel alive. Leaves, bird silhouettes, and patterns found in nature are abstracted into work that balances strength and delicacy.

My goal is to create pieces that feel like modern artifacts: thoughtfully made, tactile, and enduring. I design my work to be worn, displayed, and passed on, connecting the natural world, material history, and contemporary craftsmanship.