I use traditional and historical metalsmithing techniques, including shell forming, fabrication, and Opus Interrasile, an ancient openwork method that explores negative space. Through these processes, I translate natural forms into dimensional jewelry and sculpture that feel alive. Leaves, bird silhouettes, and organic patterns are abstracted into work that balances strength and delicacy.

My goal is to create pieces that feel like modern artifacts: thoughtfully made, tactile, and enduring. I design my work to be worn, displayed, and passed on, connecting the natural world, material history, and contemporary craftsmanship.